120 Bahadur review: Farhan Akhtar stars in a film on the 1962 Rezang La battle, but weak writing and direction fail to do justice to the heroic story of 120 Indian soldiers.
120 Bahadur, a film depicting the extraordinary bravery of 120 Indian soldiers at the Battle of Rezang La during the 1962 Indo-China war, arrives in theatres with a story full of heroism but suffers from weak execution. Despite the incredible true events, the movie fails to deliver the cinematic impact such a tale deserves.
Storyline
The film revolves around the Battle of Rezang La, where 120 Indian soldiers courageously faced nearly 3,000 Chinese troops. Their unmatched grit, courage, and sacrifice are well-known in Indian military history, yet the movie struggles to translate these heroic deeds onto the screen. While the core story has immense potential, the screenplay does not do justice to the historical significance or emotional depth of these soldiers’ sacrifice.
Film Analysis
The first half of 120 Bahadur struggles with pacing and character development, leaving viewers disconnected from the narrative. The second half offers improved war sequences, but even then, the emotional intensity remains muted. Unlike iconic war films such as Border, which combine patriotism and storytelling effectively, 120 Bahadur often feels uninspired, with poorly placed songs and moments that fail to resonate.
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Performances
Farhan Akhtar, playing the lead role of Major Shaitan Singh Bhati, appears miscast. Though a talented actor, Akhtar’s portrayal does not capture the heroism required for this historical figure. The supporting cast, however, delivers some memorable performances:
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Sparsh Walia shines as the radio operator and narrator, providing a sincere connection to the story.
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Ankit Siwach, portraying the first soldier to attain martyrdom, brings intensity and depth to his role.
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Raashii Khanna impresses as a soldier’s wife, portraying resilience and emotional strength convincingly.
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Vivan Bhatena adds value with a steady and credible performance.
Writing and Direction
The film’s weakest aspect is its writing and direction. Rajiv Menon’s screenplay lacks the punch needed for a war drama, while Sumit Arora’s dialogues rarely leave a lasting impression. Director Razneesh Ghai manages to capture some visually appealing war sequences, but overall, the storytelling fails to match the heroism of the real-life events.
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