Mrunal Thakur says she ignores negative feedback from people without display pictures and explains why a film’s success goes beyond box office collections.
Actor Mrunal Thakur has opened up about online criticism, the changing ways audiences discover films and why she believes box office numbers do not tell the complete story of a movie’s success. With her recent project Pooja Meri Jaan finding appreciation on OTT, the actor says meaningful storytelling and audience connection matter more than the platform on which a film is released.
During a recent interaction, Mrunal Thakur explained that a film’s performance should not be judged exclusively by its theatrical collections. According to her, the story, subject, characters and the director’s vision play a crucial role in determining whether a project connects with viewers.
Mrunal Thakur Says Box Office Collections Are Not Everything
Discussing the changing entertainment landscape, Mrunal Thakur said that the medium of release is becoming less important as audiences increasingly discover films through digital platforms.
She cited Laapataa Ladies as an example of a movie that received renewed appreciation after arriving on OTT. While the film did not receive the same level of attention during its theatrical run, its digital release encouraged more viewers to watch and discuss it.
The actor noted that some films may not generate impressive box office numbers but can create significant conversations on social media after becoming available online. This growing trend, she believes, shows that a movie’s impact can extend well beyond its initial theatrical performance.
Dacoit Also Received Appreciation From Viewers
Mrunal Thakur also spoke about the response to Dacoit, revealing that some fans expressed regret about missing the film in theatres. According to the actor, several viewers apologised for not watching it on the big screen.
She acknowledged that audience preferences and marketing strategies have changed considerably. Reaching the right viewers now requires a different approach, and she admitted that she is still learning to understand these shifts in the industry.
Her comments highlight the challenges filmmakers and actors face in an entertainment market where theatrical releases, streaming platforms and social media all influence a film’s reach.
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‘I Don’t Want Negative Feedback From People Without a Display Picture’
When asked whether online criticism affects her, Mrunal Thakur explained that she has always been open to feedback. However, she also draws a distinction between constructive criticism and negative comments from anonymous social media accounts.
The actor said she does not want to take negative feedback seriously when it comes from people who do not even have a display picture on their profiles.
Her statement reflects a broader issue faced by celebrities on social media, where public figures regularly encounter opinions from anonymous users. While criticism can help artists understand audience expectations, not every online comment necessarily offers meaningful or constructive insight.
Pooja Meri Jaan Receives an Emotional Response on OTT
The response to Pooja Meri Jaan has given the actor a different kind of satisfaction. She revealed that viewers have sent handwritten letters to her home describing how the film’s portrayal of one-sided relationships resonated with their personal experiences.
According to Mrunal, the letters contained detailed messages from people explaining their emotional connection with the story. She was particularly surprised by the film’s ability to reach both male and female viewers.
For the actor, this response demonstrates how stories about relationships can connect with people across different backgrounds and experiences. Such personal reactions can offer a form of validation that goes beyond commercial figures.
Mrunal Thakur Is Reaching Audiences Beyond India
The actor also shared experiences that reflect the growing international reach of Indian cinema. During a visit to Paris, she met someone who had watched Love Sonia. She also recalled hearing about a viewer from the Philippines who had watched Made in Heaven, while an American friend discovered Sita Ramam through Indian acquaintances.
These encounters made her happy about working in an era when Indian films and performances can find viewers across geographical boundaries.
For Mrunal Thakur, the changing entertainment landscape presents new opportunities for artists to connect with audiences worldwide. Her remarks underline a simple point: a film’s value cannot always be measured by its opening weekend or theatrical earnings. Sometimes, its strongest impact becomes visible later, when viewers discover the story and form a personal connection with it.
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